My purpose in writing Ten Parables was to take an ancient literary form and use it to illustrate the path back to God. It was intended to replicate the underlying meaning of the temple endowment, but without employing theatrical presentations, signs, tokens or key words. Instead the process is portrayed through parables involving characters in the stories moving from a state of disassociation with God, through understanding His attributes and manner, adopting His virtues and conduct, then back to a reconciliation with Him, at last reaching His presence by satisfying angelic sentinals and obtaining His tutelage.
The book is actually only one story: the process of redemption. It was written to be readable in the same time as it would take to attend a temple endowment session. However, its meaning can take many days of reflection to fully unlock. It is intended to provoke action or changes within the reader who sees the messages.
Some people have seen the value of that little book and, as a consequence, have gained some considerable benefits in their own search into the mysteries of godliness. Others have regarded it as nothing more than a little story book, and I suppose gained varying degrees of entertainment from it.
We are all entitled to see as much or as little as we choose to see. That is the beauty of communications that employ symbols. It does not force the listener to understand a thing. It only invites.